tag:blogger.com,1999:blog-173105342024-03-13T01:43:54.095+00:00Music For A Future AgePopular Music and Culture 1977- 1984Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.comBlogger232125tag:blogger.com,1999:blog-17310534.post-17602454795755546802016-04-07T16:30:00.003+01:002016-04-07T16:32:15.165+01:00Sex Pistols Sounds April 4, 1976 <!--[if !mso]>
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<b><i><a href="https://4.bp.blogspot.com/-IIYjmCy-4Ek/VwZ8Wux3A9I/AAAAAAAAHeE/5dLBW5FiHxIHjN63F85P4GCAd6QszuvDQ/s1600/8c48f334fef707003f01b1d9713908bc.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="278" src="https://4.bp.blogspot.com/-IIYjmCy-4Ek/VwZ8Wux3A9I/AAAAAAAAHeE/5dLBW5FiHxIHjN63F85P4GCAd6QszuvDQ/s320/8c48f334fef707003f01b1d9713908bc.jpg" width="320" /></a></i></b></div>
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<b><i><span style="font-family: "courier new"; font-size: 12.0pt;">By John Ingham</span></i></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"> </span><b><i><span style="font-family: "courier new"; font-size: 12.0pt;"><br />
Sounds. April 4, 1976</span></i></b><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"> <br />
</span><a href="http://1.bp.blogspot.com/_BsggawC46VM/R_pgDFRkQqI/AAAAAAAAAOI/ZJ4IZPZRUTE/s1600-h/SP1.JPG"><span style="color: blue; font-family: "times new roman" , serif; font-size: 12.0pt; text-decoration: none;"><span style="mso-ignore: vglayout;"></span></span></a><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"></span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">THE SMALL, sleazoid El Paradise Club in Soho is not
one of the more obvious places for English rock to finally get to grips with
the Seventies, but when you're trying to create the atmosphere of anarchy,
rebellion and exclusiveness that's necessary as a breeding ground, what better
place? Name one kid who will tell their parents they'll be home really late
this Sunday because they're going to a strip club to see the Sex Pistols.<br />
<br />
The shop front is the customary facade of garish, fluorescent lit plastic and
enticing tit pix, gold-flocked wallpaper and a life-size gold framed lovely
beckoning you within. Conditioning expects one to go down a hall or some stairs
but the minute you turn the corner you're there. A small room 20 to 30 feet
long, bare concrete floor, a bar at one end, three and a half rows of broken
down cinema seats. The other rows seem to have been bodily ripped out. It's an
unexpected, shocking sight at first, but after it gets comfortable the thought
occurs that perhaps it's not sleazy enough. It needs more black paint peeling
from the sweating walls, a stickier floor . . .<br />
<br />
With luck the second gathering occurred there last Sunday (the Maltese
landlords can be a little difficult to unearth). The first such gathering
accumulated entirely by word of mouth, and by midnight the joint was jumping.<br />
<br />
Flared jeans were out. Leather helped. All black was better. Folks in their
late twenties, chopped and channelled teenagers, people who frequent Sex,
King's Road avant leather, rubber and bondage clothing shop. People sick of
nostalgia. People wanting forward motion. People wanting rock and roll that is
relevant to 1976.<br />
<br />
At the moment, that criteria is best embodied in the Sex Pistols. They fill the
miniscule, mirror-backed stage, barely able to move in front of their amps.
They are loud. They are fast. They are energetic. They are great.<br />
<br />
Coming on like a Lockheed Starfighter is more important to them than virtuosity
and sounding immaculate. This quartet has no time for a pretty song with a nice
melody. Guitarist Steve Jones doesn't bother much with solos, preferring to
just pick another chord and power on through. ("There's two reasons for
that - I can't play solos and I hate them anyway." As he said that, 'I'm
Mandy, Fly Me' came on the juke box and we agreed the only good thing in it was
the solo.)<br />
<br />
But imitating the roar of the Industrial Age doesn't mean they're sloppy.
Although earlier reports reckoned their time keeping somewhat off, to the point
of cultivating an ethic of them being so bad they were good, Glen Matlock
(bass) and Paul Cook (drums) seem to have the beast on the rails and in this
stripped down form the beat is where it's at. One also has to remember that the
Sex Pistols has only existed professionally since Christmas and that Steve has
only played guitar for five months.<br />
<br />
With inaudible lyrics the music is very similar from song to song but a cranial
trigger says, that song is great (applaud) but that one is just okay (don't
applaud). Everyone else seems to think similarly. Which annoys singer John
Rotten endlessly. "Clap you fuckers. Because I m wasting my time not
hearing myself." He begins a slow handclap; about three people join in.<br />
<br />
John is a man who likes to confront his audience, not to mention the rest of
the band. It's this Stooges-like aura of complete unpredictability and violence
that gives the Sex Pistols that extra edge. Paul reckons the broken glass
attitude will only disappear when they get as old as Pete Townsend and just do
it for the money.<br />
<br />
The Pistols' roots lie with Paul and Steve who left school with a healthy
desire to avoid work. The obvious alternative was rock even though neither
could play an instrument. Their musical models were the Stones and the Who and
the early Small Faces, which doesn't say much for Seventies rock, and was a
reason for starting a band.</span></div>
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<span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;"><br />
<br />
Out of the last six years, Steve rates the Stooges. Paul admits to being fooled
by Roxy Music for three albums. Later he added Todd Rundgren. "Yeah,
there's what acid does to you," retorted Steve, adding proudly,
"There's no drugs in this group."<br />
</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">Glen joined and they staggered on for a year,
learning a Who/Small Faces repertoire ("but that didn't get us
anywhere"), buying their threads from Sex and bugging Malcolm, the owner,
to manage them. Having already spent seven months in New York handling the New
York Dolls he wasn't too interested but he helped them a bit and they kept
bugging and, well, London could do with a Seventies rock band.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">Malcolm decided that Steve was hopeless as a
singer, got him to learn guitar and the search was on. Into Sex walks John, who
couldn't sing but looked the part. They tried to audition in the conventional
manner, but finally settled on standing him in front of the shop's jukebox,
telling him to pretend he was on stage.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">John had never even considered joining a band.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">We're sitting in a tacky pub in Charing Cross Road.
Until now John has been sitting politely, looking a bit bored while I talk to
the others. He's wearing the ripped up red sweater he wears on stage, a safety
pin dangles from a thin gold ring in his right ear lobe. So how come you're
doing it John?</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">The intensity level immediately leaps about 300
percent. He looks manic. "I hate shit. I hate hippies and what they stand
for. I hate long hair. I hate pub bands. I want to change it so there are rock
bands like us."</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">This is delivered at full tirade, with a sneer to
match the voice. He clocks my earring, the five weeks laziness straggling
across my cheeks and chin and the sneer and the direct-eye blitz never stops.
I'm inadvertently thinking 'Gosh, I'm not a hippie now - that was a childhood
error,' and I never was one in the first place. The kid's got style. You know
what end of a switchblade he would have been on in 1956. I'd love to be present
when the middle-aged boogers who pass for rock critics on the national papers
finally confront him.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">But John's just warming up.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">"I'm against people who just complain about
Top Of The Pops and don't do anything. I want people to go out and start
something, to see us and start something, or else I'm just wasting my
time."</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">This last phrase is a favourite. He says it with
just the right amount of studied boredom.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">The Pistols found their first public by
gatecrashing gigs, pulling up and posing as the support band. At the North East
London Poly they succeeded in emptying the room, the same stylish feat being
Shep Gordon's reason for signing up Alice Cooper. At St. Albans, where they
supposedly played one of their worst gigs, they were asked back again.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">In London they rapidly depleted themselves of
potential venues. For a start they wouldn't play pubs.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">Malcolm: "The trouble with pubs is that
they're bigger than the bands. They're all full of people playing what a crowd
wants rather than what they want because they can make a reasonable living from
it. If you want to change things you can't play pubs. You don't have the
freedom."</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">Paul: "The trouble with pubs is you have to
please everybody If we wanted to please everybody we'd end up sounding like the
Beatles."</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">That left the Marquee, 100 Club, and the Nashville.
Eddie and the Hot Rods asked them to support at the Marquee. It was the first
time they had ever used monitors and hearing themselves caused a slight o.d.,
John leaping into the audience and the others kicking the monitors about.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">In the light of what the Pistols consider the Hot
Rods' over-reaction to the incident, the group insist they did little damage to
anything that wasn't theirs. They've also written a song on the matter.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">I think the photos speak for the particular
violence of the 100 Club gig, but the band and the Nashville seemed to enjoy
each other. Allan Jones of the Melody Maker described it:</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">'Their dreadfully inept attempts to zero in on the
kind of viciously blank intensity previously epitomised by the Stooges was
rather endearing at first... The guitarist, another surrogate punk suffering
from a surfeit of Sterling Morrison, played with a determined disregard for
taste and intelligence.'</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">Taste. Intelligence.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">"Who's Sterling Morrison?" asked Steve.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">When last heard of he was a university professor in
Santa Fe.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">"Oh. That's alright then. What's 'surrogate'
mean?"</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">They’re going to play the Nashville again, but
their problem, apart from finding it impossible to find a band they're
compatible with musically, is that it's still not the right environment.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">Malcolm decided early on that France would
understand much better and envisioned a couple of weeks in Paris. The French
promoter saw the Marquee gig, and fired with visions of Gene Vincent and Vince
Taylor has booked them across France and Switzerland for May. Meanwhile, El
Paradise...If things work out, Malcolm will obtain the old UFO premises.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">Apart from the difficulty of finding the El
Paradise landlords, the police arrived about 2 a.m. the first night, what with
the noise of the steel rolling door going up and down all the time as people
left. And it's not really the right thing to have a minor pop band like Arrows
spread-eagled against the wall being frisked as a nightcap to the evening's
frivolities.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">Basically, what Malcolm wants is a rumbling,
anarchic, noisy energetic rock scene, the likes of which haven't been seen in
this country since the mid 1960s. Any comparisons with New York rock/club scene
are briskly brushed aside.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">"Maybe it's because they're so close to the
media, but they're all so scared by them. I used to talk to [journalist] Lisa
Robinson and David Johanssen would pull me into the toilet and say, 'Don't you
know who you're talking to? Don't say those things!' My God, if you worry about
what you say to her...</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">"The trouble with the Dolls was that their
hype was so much bigger than they were. They really had an opportunity to
change it all around, but instead of ignoring all that bullshit about signing
up with a company and a big advance, they got sucked in.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">"They get dazzled by the process. Every time
The Ramones have a picture of them published it lessens their mystique. There's
no mystery about the New York scene. Pretty soon Richard Hell is going to leave
the Heartbreakers and Sire Records will dangle a contract in front of him and
he knows it won't help and won't do any good but he'll sign it because it's
what's expected of him.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">"The thing to do is just ignore all that.
No-one came to sign up the Stones, no-one wanted to know. But when they saw a
lot of bands sounding like that with a huge following they had to sign them.
Create a scene and a lot of bands - because people want to hear it - and
they'll have to sign them even though they don't understand it.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">"The trouble with the pubs is that they’re
free, and people come for that reason. If you're at a Sex Pistols gig you
wanted to go, because you spent money to get in. I opened the shop because I
wanted people to make a certain statement and they wore my clothes. The Sex
Pistols are another extension of that."</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">As for what the band think of comparisons...</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">"The New York scene has absolutely nothing to
do with us," sneers John. "It's a total waste of time. All anyone
talks about is the image. No-one's ever mentioned the music."</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">But there's a remote connection with the aesthetic
and they seem to be trying to get on with the future.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">“I like that word, 'remote'” he says real blankly.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">(Is he always like this? "No. He was rather
polite tonight.")</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">Steve and Paul deliver the fatal blows.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">"They're not like us. They all have long
hair."</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">"Yeah, Anglophiles with Brian Jones mop
heads."</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">So there they sit, waiting for a scene to build up
around them, for the appearance of bands they can play with. They look rather
glum at the prospect and, when you consider it, we can at least go and see the
Sex Pistols.</span><span style="font-family: "times new roman" , serif; font-size: 12.0pt;"><br />
<br />
</span><span style="font-family: "trebuchet ms" , sans-serif; font-size: 12.0pt;">"Yeah," sighs Steve. "I wish I could
see us."</span></div>
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Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-35444761945619666312016-04-07T16:20:00.001+01:002016-04-07T16:20:29.784+01:00You're gonna wake up one morning and know what side of the bed you've been lying on!<!--[if gte mso 9]><xml>
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<b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">(Hates:)</span></b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"> Television (not the group)/Mick
Jagger/The Liberal Party/John Betjeman/George Melly Kenny & Cash/Michael
Caine/Charles Forte/Sat nights in Oxford Street/SECURICOR impotence or
complacency (slogan & Robert Carr)/Parking tickets/19, Honey, Harpers,
Vogue in fact all magazines that treat their readers as idiots/Bryan
Ferry/Salvador Dali/A Touch of Class/BRUT for--who cares?/The Presidents
Men/Lord Carrington/The Playboy Club/Alan Brien, Anthony Haden-Guest, Vic
Lownes, to be avoided first thing in the morning/ANTIQUARIUS and all it stands
for/Michael Roberts/POP STARS who are thick and useless/YES/Leo Sayer/David
Essex/Top Of The Pops/Rod Stewart oh for money and an audience/Elton
John--quote in NME 25 Sept re birthday spending/West End shopping/Stirling Cooper,
Jean Junction, BROWNS, Take Six, C&A/Mars bars/Good Fun entertainment when
it's really not good or not funny Bernard Delfont/a passive audience/arse
lickers/John Osborne Harry Pinter Max Bygraves Melvyn Bragg Philip Jenkinson
the ICA and its symposiums John Schlesinger Andr‚ Previn David Frost Peter
Bogdanovich/Capital Radio/The Village Trousershop (sorry bookshop)/The narrow
monopoly of media causing harmless creativity to appear subversive/THE ARTS
COUNCIL/Head of the Metropolitan Police/Synthetic foods/Tate & Lyle/Corrupt
councillors/G.K.N./Grey skies/Dirty books that aren't all that dirty/Andy
Warhol/Nigel Waymouth David Hockney & Victorianism/The Stock Exchange/Ossie
Clark/The Rag Trade/E.L.P./Antiques of any sort/Housing Trusts who profit by
bad housing/Bianca Jagger/Fellini/John Dungar/J. Artur's/Tramps/Dingwals
without H/Busby Berkeley MOVIES/Sir Keith Joseph and his sensational
speeches/National Front/ W. H. Smith/Censorship/Chris Welch and his lost Melody
Makers/Clockwork soul routines/Bob Harris (or the sniffling Whistler as we know
him)/The job you hate but are too scared to pack in/Interview magazine--Peter
Lester/rich boys dressed as poor boys/Chelita Secunda, Nicky Weymouth, June
Bolan, Pauline Fordham halitosis/Rose & Anne Lambton Chinless people/Antonia
Frazer/Derek Marlow/Anne Scott-James/Sydney Edwards/Christopher Logue/Osbert
Lancaster/Shaw Taylor--whispering grass/The Archers/BIBAS/Old clothes old ideas
and all this resting in the country business/The suburbs/The Divine Light
Mission/All those fucking saints.</span></div>
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<b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;">(Loves:)</span></b><span style="font-family: "Times New Roman",serif; font-size: 12.0pt; mso-fareast-font-family: "Times New Roman"; mso-fareast-language: EN-GB;"> Eddie Cochran/Christine
Keeler/Susan 602 2509/My monster in black tights/Raw Power/Society For Cutting
Up Men/RUBBER Robin Hood Ronnie Biggs BRAZIL/Jamaican Rude Boys/Bamboo
Records/Coffee bars that sell whiskey under the counter/THE SCENE--Ham
Yard/Point Blank/Monica the girl who stole those paintings/Legal Aid--when you
can get it/Pat Arrowsmith/Valerie Solanis/The Price Sisters/Mervin Jones
article The Challenge To Capitalism in New Statesman 4th Oct. 74/Buenoventura Durutti
The Black Hand Gang/Archie Shepp Muhammed Ali Bob Marley Jimi Hendrix Sam
Cooke/Kutie Jones and his SEX PISTOLS/This country is run by a group of
fascists so said Gene Vincent in a 1955 US radio interview/Seven Days with
Alexander Cockburn/Olympia Press/Strange Death of Liberal
England--Dangerfield/Mrs Scully love goddess from Shepherds Bush her house
slaves and Search magazine/Labour Exchanges as your local/FREE RADIO stations/A
chance to do it for more than a month without being ripped off/The Anarchist
Spray Ballet/Lenny Bruce/Joe Orton/Ed Albee/Paustovsky/Iggy Pop/John
Coltrane/Spunky James Brown/Dewey Redman/KING TUBBY'S sound system/Zoot suits
and dreadlocks/Kilburn & the High Roads/Four Aces Dalston/Limbo
90--Wolfe/Tiger Tiger--Bester/Bizarre Humphries/Woolf--Waves/Walt Whitman
poet/Exupery, Simone de Beauvoir, Dashiell Hammett, Dave Cooper, Nick Kent,
Carl Gayle writers/Mel Ramos painter/Davd Holmes the newsman/Mal Dean
cartoonist/Guy Stevens records/Mal Huff funny stories/D.H./Valve amps/Art Prince/Marianne
Faithfull/Jim Morrison/Alex Trocchi--Young Adam/Patrick Heron v. The Tate
Gallery and all those American businesslike painters/Lady Sinthia 908
5569/Experiment with Time--Dunne/John Lacey and his boiled book v. St Martin's
Art School experiment to be seen in New York. Imagination....</span></div>
Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-18895304669111012752016-04-07T14:17:00.001+01:002016-04-07T14:17:18.617+01:00Sex Pistols in 1976 Nashville new picsForty years ago, art student PT Madden photographed an unknown group
playing to a handful of punters. Those early shots of the Sex Pistols
have finally come out from under his bed<br />
<br />
<a href="http://www.theguardian.com/music/2016/apr/06/sex-pistols-early-photographs-pt-madden?CMP=twt_a-culture_b-gdnculture">http://www.theguardian.com/music/2016/apr/06/sex-pistols-early-photographs-pt-madden?CMP=twt_a-culture_b-gdnculture</a><br />
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<br />Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-51292253164058842332015-06-12T10:53:00.002+01:002015-06-12T10:53:35.256+01:00More Ants Adverts<div class="separator" style="clear: both; text-align: center;">
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<br />Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-64900461364877893342015-06-12T10:51:00.002+01:002015-06-12T10:51:58.687+01:00Antz Adverts<div class="separator" style="clear: both; text-align: center;">
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Just some newspaper adverts from 1978-79 I found on ebay.<br /><br />Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-92206056783695640922014-01-23T16:22:00.001+00:002014-01-23T16:22:29.415+00:00OVERHAULThis blog is undergoing an overhaul.<br />
It's about time. It won't be Ant centred anymore, it will be about whatever I like, my tastes, and that includes obviously all the 70s-95 Ant stuff. But it will be less about that.<br />
<br />
So watch this space and hope to see some people reading and liking what I post about.<br />
<br />
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<br />Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-82419513484207931772012-02-14T19:45:00.000+00:002012-02-14T19:45:55.994+00:00Old linksHave had a few requests for old links to be fixed. I'm sorry but this isn't going to happen. This blog is now here for anyone wishing to read old posts now. I'm not updating it anymore.<br />
<br />
Sorry.Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-69900221110389894682011-09-28T11:40:00.001+01:002011-09-28T11:40:47.142+01:00Masters<object height="165" width="100%">
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</object>
<span><a href="http://soundcloud.com/horse-brothers/sets/masters-4">Masters</a> by <a href="http://soundcloud.com/horse-brothers">Horse Brothers</a></span>
Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-61309192336798156252011-09-28T11:15:00.001+01:002011-09-28T11:27:45.051+01:00It's time for an update.Hi, sorry for no posts for ages....Ant fans know what Adam's been up to, so no need for me to post about him (check <a href="http://antrap.org/antrap/index.php">AntRap</a> for news of Adam).<br />
<br />
<div class="separator" style="clear: both; text-align: left;"><a href="http://userserve-ak.last.fm/serve/252/485737.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://userserve-ak.last.fm/serve/252/485737.jpg" /></a></div><br />
"We are Rema Rema..." <br />
<br />
Months ago members of Rema Rema got together for a radio interview for an online radio station (sorry I can't remember or find which one it was for now!), where they talked about the band and many rare Rema Rema songs were played.<br />
I couldn't find an online link to it anymore, so I have uploaded it for your pleasure <a href="http://www.filedropper.com/rema-rema-fin-dumb">here</a>.<br />
It's a great listen and if you love Marco's feedback guitar, this is the stuff for you! It's what Adam heard and liked in 1979. Rema Rema were like many bands, ahead of their time. Maybe we will hear some of these recordings on a CD sometime soon.<br />
<br />
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"For you... he did this all for you..." Horse Brothers.<br />
<br />
Dave Barbarossa and Daniel Stewart have been playing one gig a month since last March across london, and have recorded a few tracks (available to hear on <a href="http://soundcloud.com/horse-brothers">Soundcloud</a>).<br />
<br />
As their roadie I have had the good fortune to be at every one of those gigs, and have heard how they have progressed and gotten better and better each time. In my mind they were amazing from the very first gig I saw, so to get better than that- well, wow!<br />
<br />
I asked them a few questions about the band.<br />
<br />
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">1 How did you two get to know each other?</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><i>We were both asked to help a mutual 'friend' out by playing on his songs. When the others were taking breaks from rehearsals we would jam out some ideas, just dicking about more than anything serious. That project thankfully died off and Dave called me up some time later and asked if I would play along to some beats he had written with the premise of 'what's the worst that can happen'.</i></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><br />
</div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">2 Were you aware of each other’s past work before you joined up, and was that a factor in you two getting together?</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><i>I have a vague knowledge of Dave's past bands, and I'm sure he has no idea of any of the many, mostly terrible, bands I have played in. I think that works well for me. If I knew more about Dave's past, there may be a temptation for me to try and play in that way due to the following he has. </i></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><br />
</div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">3 How do you write songs- do you write the guitar/ vocals then add drums, or do you jam ideas, or what?</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><i>We have a team of songwriters locked under an old railway arch with rudimentary instruments and basic recording equipment...</i></div><div class="MsoNormal"><i>It's actually all of the above and more. Some were little keyboard riffs, some were little things in our heads when drinking too much coffee, etc</i></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><br />
</div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">4 How do you think it is going so far, are you happy with it all so far?</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><i>It's fun. Not enough things in life are this much fun without there being an element of guilt later on.</i></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><br />
</div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">5 Are there plans to record an ep/ album any time soon?</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><i>It's tricky to know what to do. The current plan is to do a small run of CD's and either give them away, or sell them at cost price. My problem is that I want everything to be perfect; sound quality, packaging, design and that comes at a cost. Either way, they'll be done as a 'collectors item'.</i></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"><br />
</div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">6 Dave this is the first time since Bow Wow Wow that you have played in your BWW style of drumming- what made you start playing that way again?</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><i>Steve, although I can see how someone might think that the drumming in Horse Brothers is the same as BWW, it is, in fact <u>very</u> different in feel, swing, tempo and pattern. Just because I'm not playing kick/hat & snare straight beats, does not automatically mean I'm going back to BWW style. </i></div><i> </i><br />
<div class="MsoNormal"><i>I play with far more abandon and adventure in Horse Brothers. I take far more risks.</i></div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;"> </div><div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto;">7 Did you enjoy the short reunion with BWW and would you ever play with them again if they asked? Were there ever any plans or talk of playing more with them? (I’m sure for instance that a reunion BWW tour over here would do very well).</div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><i>I played with BWW last year purely in Matthew Ashman's memory. I'm very proud of the work I did with BWW and other bands I've played for.</i></div><div class="MsoNormal"><br />
</div><div class="MsoNormal">Horse Brothers continue to play about once a month in London and have a website you can keep up with <a href="http://horsebrothersmusic.com/">here</a></div><div class="MsoNormal">I highly recommend you give them a listen, live if possible, because they really are a breath of fresh air amongst so many other bands who all sound alike after a while.</div><div class="MsoNormal">Blues Burundi, it's where it's at!</div><div class="MsoNormal"> <i><br />
</i></div><div class="MsoNormal">Until next time, adios muchachos.<i><br />
</i></div>Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-11141312023520929142011-03-18T20:01:00.003+00:002011-03-21T12:35:31.344+00:00Horse Brothers Water Rats 16th March 2011Having been an Ants and Bow Wow Wow fan all these years, and having heard the 3 songs on their soundcloud site, I was very excited to go see them play at Water Rats in London last wednesday evening.<br />
<br />
I urge all fans of Bow Wow Wow and that great burundi style drumming to go see them.<br />
Horse Brothers merge bluesy rocky guitar and singing by Daniel Stewart with Dave Barbe's burundi drums, the first time he has played that way since Bow Wow Wow in the 80s.<br />
He makes a very thunderous noise live that fits perfectly with the howling blues played by Daniel.<br />
<br />
Look out for them in the coming months all over London!<br />
<br />
Next gig in April in London, watch this space for more news.Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-39708960144710066122010-12-01T23:36:00.000+00:002010-12-01T23:36:31.362+00:00Pick One- I can't!!<i>Pick one song/album, book, or movie that you think defines the overall work of a particular artist. More than just “What’s their best song/movie/book?”, this feature asks writers to take a stand and argue for a defining moment that speaks to entire career, potential controversy and all. </i><br />
<br />
This is the task set on <a href="http://www.popmatters.com/">http://www.popmatters.com/</a>, but applying it to Adam Ant, either with the Ants or solo, I can't do it. Each album is distinctive in it's own way, and for an Ant fan is equally as important and the others. Not one in my opinion defines the Ants sound or overall work.<br />
Some might argue that Kings of the Wild Frontier is the one, but that is only part of the story and misses the darkness of Dirk Wears White Socks, the pop glamour of Prince Charming, the rockabilly/rock n roll/ of Friend or Foe, the pop sheen of Strip, the rock n roll/ TRextasy of Vive le Rock, even the dance moves of Manners and Physique and the AOR of Wonderful deserve a look in. And for me the B Sides on the B sides compilation B Side Babies are as essential as any album, and it's criminal they were left off of AntBox, which should have been a more encompassing Boc Set, not a best of with a few goodies added. But that's for another post!<br />
<br />
The point is this: Not one of Adam's albums defines his overall work. Nor does one song. One song defines a particular era- Dog Eat Dog perhaps defines the Kings era, Prince Charming the next, etc etc....<br />
<br />
I find that I want to get this Ant stuff out of my system, but I have a feeling it won't ever go away, even if I write the damn book I have inside me!Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com1tag:blogger.com,1999:blog-17310534.post-7453710872681176822010-12-01T23:16:00.004+00:002010-12-01T23:42:55.303+00:00Bow Wow Wow Matthew Ashman Celebration 21st November 2010<div class="MsoNormal"><span style="font-size: small;">On a night that had been organised by Billy Idol’s guitarist Billy Morrison to celebrate Matthew Ashman, who died in 1995 from diabetes complications aged 35, Bow Wow Wow made their first London appearance in more than Twenty years. I have been a fan of all things Ant related since I was ten- Bow Wow Wow were of course Adam’s Ants before Malcolm Mcclaren instigated a mutiny. Fourteen year old Annabella Lwin was added on vocals and in 1980 they attempted to subvert the music industry by releasing a cassette only album and C30 C60 C90 Go!, a single that encouraged home taping off of the radio.</span><br />
<br />
</div><div class="MsoNormal"><span style="font-size: small;">I wasn’t ever really aware that taping stuff off of the radio was wrong- I did it every Sunday, taping my favourites from the charts to listen to on what must have been one of the earliest Walkmans (It was HUGE I remember that much!). But back in 1980 the music industry was busy printing HOME TAPING KILLS onto album inner sleeves and worrying that consumers would stop buying records. Thirty years later they’re still worrying though this time it’s mp3s that worries them, cassettes having been long dumped in favour of CDs and MP3s. Whatever Home Taping was supposed to have killed, it’s still there.</span><br />
<br />
</div><div class="MsoNormal"><span style="font-size: small;">I remember Bow Wow Wow’s chart hits Go Wild In The Country and I Want Candy, and later on after discovering the link to Adam and the Ants, bought up their 3 albums and various singles. So it was with quite a bit of excitement that I went along to the Scala in London to see them live, with original drummer Dave Barbe on drums no less. Bow Wow Wow have of course toured around America before this but with a different drummer, and this was a perfect opportunity for the three surviving members to play, with Billy Morrison and Will Crewsden on guitar.</span><br />
<br />
</div><div class="MsoNormal"><span style="font-size: small;">I have to tell you, in these days of</span><span style="font-size: small;"> X Factor karaoke, it is such a breath of fresh air to not only know that there are still great bands out there, but that even ones from 30 years ago can kick up such a storm live! The band came on and played a short set, starting with the instrumental Orang Outang. Standing not too far from the stage, the power of the drums and bass playing that Burundi beat that was made into great pop songs by them and of couse Adam and the Ants, was astounding. Adam and the Ants and Bow Wow Wow to a lesser degree are what made me as a drummer pick up sticks as a fourteen year old and learn to drum. I knew that Bow Wow Wow would be special on this night if no one else would (also on the bill were a one song Agent Provocateur, Chiefs of Relief led by Billy Morrison, and later Adam himself).</span><br />
<br />
</div><div class="MsoNormal"><span style="font-size: small;">Leigh introduced the band and the 2 guitarists standing in for the departed Matthew, and then Annabella bounced on, looking and sounding fantastic! A storming Louis Quartoze followed, then Aphrodisiac, Go Wild In The Country, I Want Candy and the one that sounds like an Ants song speeded up, C30 C60 C90 Go! You wouldn’t know that these songs were written 30 years ago or that they were for the most part ignored at the time. Bow Wow Wow fizzled apart in 1983, and just like the young need to know what and why Punk happened, they need to hear the early 80s stuff like Bow Wow Wow. Post Punk made some of the most interesting and enduring music, pop or otherwise, and Bow Wow Wow showed 30 years later that it still sounds fresh and astounding now.</span></div><div class="MsoNormal"><br />
</div><div class="MsoNormal"><a href="http://rapidshare.com/files/434284479/Bow_Wow_Wow_Scala_Matthew_Ashman_Celebration_21st_Nov_2010.zip">http://rapidshare.com/files/434284479/Bow_Wow_Wow_Scala_Matthew_Ashman_Celebration_21st_Nov_2010.zip</a><br />
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</div>Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-19478649675985038802010-11-19T21:07:00.000+00:002010-11-19T21:07:24.133+00:0014th May 1978 Roundhouse London<a href="http://rapidshare.com/files/431892081/roundhouse.zip">http://rapidshare.com/files/431892081/roundhouse.zip</a><br />
<br />
Here is Johnny Bivouac and Jordan's last gig with the Ants, a stormer from 1978.<br />
Enjoy!<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/_wxWsyEy6GVc/TObm5EmZkwI/AAAAAAAAAeA/6ShR7TFll9o/s1600/1bivouac.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/_wxWsyEy6GVc/TObm5EmZkwI/AAAAAAAAAeA/6ShR7TFll9o/s1600/1bivouac.gif" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/_wxWsyEy6GVc/TObm86PrdDI/AAAAAAAAAeE/vYFFonmPVjA/s1600/bivouac1.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://2.bp.blogspot.com/_wxWsyEy6GVc/TObm86PrdDI/AAAAAAAAAeE/vYFFonmPVjA/s1600/bivouac1.gif" /></a></div><br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://3.bp.blogspot.com/_wxWsyEy6GVc/TObm-P3mW-I/AAAAAAAAAeI/6eisDwt6eos/s1600/780130.gif" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="http://3.bp.blogspot.com/_wxWsyEy6GVc/TObm-P3mW-I/AAAAAAAAAeI/6eisDwt6eos/s1600/780130.gif" /></a></div>Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-57555901091132884172010-11-17T18:12:00.000+00:002010-11-17T18:12:25.359+00:00Birmingham 25th May 1980By request.<br />
<a href="http://www.blogger.com/goog_1704418230"><br />
</a><br />
<a href="http://rapidshare.com/files/431442484/birmingham_25-5-80.zip">http://rapidshare.com/files/431442484/birmingham_25-5-80.zip</a><br />
This is from the Ants Invasion Tour, their best tour I think, they had no record contract yet and had the new sound, 2 brutal drummers, old punks in the audience, fights breaking out, ace!!<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/_ujxTJoMhroU/SQI3tUj2pkI/AAAAAAAAAa0/wn2AHkZmb0A/s400/Adam+Ant%236.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="219" src="http://4.bp.blogspot.com/_ujxTJoMhroU/SQI3tUj2pkI/AAAAAAAAAa0/wn2AHkZmb0A/s320/Adam+Ant%236.jpg" width="320" /></a></div>Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-23478122429341544532010-11-16T19:31:00.000+00:002010-11-16T19:31:39.445+00:00Swansea Zerox Tour July 30th 1979<a href="http://rapidshare.com/files/431252682/Zerox_Tour_1979_Swansea.zip">http://rapidshare.com/files/431252682/Zerox_Tour_1979_Swansea.zip</a><br />
<br />
By request!<br />
<br />
More to follow, and the others will get rapidshare links too, megaupload isn't working out for some folks.<br />
<br />
<div class="separator" style="clear: both; text-align: center;"><a href="http://4.bp.blogspot.com/_wxWsyEy6GVc/TOLb4Tz7YZI/AAAAAAAAAd4/pqRA0jfw81Y/s1600/129519_adam-ant.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="http://4.bp.blogspot.com/_wxWsyEy6GVc/TOLb4Tz7YZI/AAAAAAAAAd4/pqRA0jfw81Y/s320/129519_adam-ant.jpg" width="216" /></a></div><div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/_wxWsyEy6GVc/TOLcD4hGzYI/AAAAAAAAAd8/xqXOyLhEi6M/s1600/33548_440226463860_645578860_5400578_4466160_n.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="232" src="http://2.bp.blogspot.com/_wxWsyEy6GVc/TOLcD4hGzYI/AAAAAAAAAd8/xqXOyLhEi6M/s320/33548_440226463860_645578860_5400578_4466160_n.jpg" width="320" /></a></div>Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-51112875601382879902010-11-08T14:37:00.001+00:002010-11-08T14:40:37.530+00:00Lewisham 29th November 1980.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><img border="0" height="236" src="http://2.bp.blogspot.com/_wxWsyEy6GVc/TNgKV_Dg5-I/AAAAAAAAAd0/kFSH-S8vnl0/s320/ADAM+&+THE+ANTS+LEWISHAM.png" style="margin-left: auto; margin-right: auto;" width="320" /></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="http://2.bp.blogspot.com/_wxWsyEy6GVc/TNgKV_Dg5-I/AAAAAAAAAd0/kFSH-S8vnl0/s1600/ADAM+&+THE+ANTS+LEWISHAM.png" style="margin-left: 1em; margin-right: 1em;">(Pic taken from http://www.boredteenagers.co.uk/punkposterpage1980.htm </a></div></td></tr>
</tbody></table><br />
<div class="separator" style="clear: both; text-align: center;"><br />
</div><a href="http://www.megaupload.com/?d=S8YGM3Q3">http://www.megaupload.com/?d=S8YGM3Q3</a><br />
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<a href="http://www.youtube.com/watch?v=KuLursil0r8">http://www.youtube.com/watch?v=KuLursil0r8</a>Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-48050238216335485402010-11-08T00:33:00.000+00:002010-11-08T00:33:49.698+00:00100 Club 1978<a href="http://www.megaupload.com/?d=IT2TUZYT">http://www.megaupload.com/?d=IT2TUZYT</a><br />
<br />
This is a better quality one, not as good as The Marquee 1978 from January before, but still a good one.Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-25690442341925687062010-11-07T01:12:00.005+00:002010-11-08T00:22:06.714+00:00Oh dear.I really did mean to do more with this blogsite but I got lost.<br />
I shall remedy this situation.<br />
I'll upload some gigs, 1977 onwards for anyone who wants them.<br />
<br />
<div align="center" class="subtitle" style="font-family: arial;"><div style="text-align: left;"><span style="font-size: x-small;">VORTEX CLUB, LONDON</span></div><div style="text-align: left;"><span style="font-size: x-small;"> 11th JULY 1977 </span></div></div><div class="news" style="font-family: arial; text-align: left;"><span style="font-size: x-small;"> (supporting Siouxsie and the Banshees) </span><br />
</div><div class="list"><span style="font-family: arial;">Lou</span><br />
<span style="font-family: arial;"> Puerto Rican</span><br />
<span style="font-family: arial;"> B-side Baby</span><br />
<span style="font-family: arial;"> Deutscher Girls</span><br />
<span style="font-family: arial;"> Dirk Wears White Socks</span><br />
<span style="font-family: arial;"> Fat Fun</span><br />
<span style="font-family: arial;"> Fall In</span><br />
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</div><br />
<a href="http://www.megaupload.com/?d=CWA1UV7Y"><br />
http://www.megaupload.com/?d=CWA1UV7Y</a><br />
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Very bad quality, but if you're curious enough, you <span style="font-style: italic;">can</span> make out the songs!Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com1tag:blogger.com,1999:blog-17310534.post-19571654333699430972009-06-16T13:24:00.001+01:002009-06-16T13:25:45.608+01:00WebsiteThe website and some of the links are down for the time being, lack of financial funds.<br /><br />I shall reinstate the ipod player too at a later date.Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com4tag:blogger.com,1999:blog-17310534.post-39895309018089499562009-05-06T03:30:00.003+01:002009-05-06T03:49:36.131+01:00Marco on 'Wonderful'<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://4.bp.blogspot.com/_wxWsyEy6GVc/SgD4YFBNT7I/AAAAAAAAAbA/ZCMDFHRBaCE/s1600-h/wonderful.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 254px; height: 250px;" src="http://4.bp.blogspot.com/_wxWsyEy6GVc/SgD4YFBNT7I/AAAAAAAAAbA/ZCMDFHRBaCE/s320/wonderful.jpg" alt="" id="BLOGGER_PHOTO_ID_5332535051354460082" border="0" /></a>I asked Marco some questions about the 1995 single 'Wonderful' as part of my nearly finished series on the Ant singles. Here are his replies, in italics.<br /><br />When was Wonderful written and what input did you have?<br /><span style="font-style: italic;">We did it about 6 months before the album sessions and I came up with the main D/Fsharpe Minor/C/Em sequence.</span><br /><br />Who is <a href="http://en.wikipedia.org/wiki/Bonnie_Hayes">Bonnie Hayes</a> and what did she do?<br /><span style="font-style: italic;">To this day I have no idea who she is; she did the Middle 8 bit towards the end. </span><br /><br />Were the extra songs on the 2 singles CDs written specifically for the single or were they album outtakes?<br />(Norman, If, Phoenix, Woman Love Run Through Me, Goes Around).<br /><span style="font-style: italic;">They were album outtakes. </span><br /><br />How generally did the sessions for the album go?<br /><span style="font-style: italic;">Very smoothly, it was the first time for years that we recorded almost entirely live. </span><br /><br />Adam has said that you wanted to write an album of songs that were written acoustically so they could be played easily..... was that how you approached writing the songs?<br /><span style="font-style: italic;">Yes absolutely, that was the intention all along before we ever even started. </span><br /><br />What's your favourite song from that period/ album?<br /><span style="font-style: italic;">Alien. </span><br /><br />I know you hate touring anyway but do you have any good memories of the 95 tour?<br /><span style="font-style: italic;">The only good thing about that tour was the Shepherds Bush gigs, I was pleased they went so well as I had already decided in my own mind that that would be the last time I would play all those classic Ant songs live.</span><br /><br />You both got ill at the end didn't you?<br /><span style="font-style: italic;">It was about half way through, it took me about a year to really recover. </span><br /><br />Here is the demo with Bonnie Hayes:<br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/Pz4H3NpmD14&hl=en&fs=1"><param name="allowFullScreen" value="true"><param name="allowscriptaccess" value="always"><embed src="http://www.youtube.com/v/Pz4H3NpmD14&hl=en&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br />And here is the promo video:<br /><embed src="http://www.metacafe.com/fplayer/506005/adam_ant_wonderful.swf" wmode="transparent" allowfullscreen="true" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash" width="400" height="345"></embed><br /><span style="font-size:78%;"><a href="http://www.metacafe.com/watch/506005/adam_ant_wonderful/">Adam Ant Wonderful</a> - <a href="http://www.metacafe.com/">Watch the top videos of the week here</a></span>Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-84144432388673479292009-03-28T00:15:00.002+00:002009-03-28T00:27:30.668+00:00Marco on Rough Stuff<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://3.bp.blogspot.com/_wxWsyEy6GVc/Sc1sbFin_mI/AAAAAAAAAa4/9i0y0nsTTcI/s1600-h/rs.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 200px; height: 200px;" src="http://3.bp.blogspot.com/_wxWsyEy6GVc/Sc1sbFin_mI/AAAAAAAAAa4/9i0y0nsTTcI/s320/rs.jpg" alt="" id="BLOGGER_PHOTO_ID_5318025947594096226" border="0" /></a>I asked Marco Pirroni a few questions about Rough Stuff.<br />This was a difficult one because Marco didn't write it with Adam, it was an Ant/ Cymone track, and Marco came in at the end and added some guitar.<br />But here goes anyway!<br /><br />Marco is in <span style="font-style: italic;">italics.</span><br><br><br /><br />Ok, Rough Stuff. What input did you have on this song, it's not an Ant Marco one so I presume you came in at the end and added guitar?<br /><span style="font-style: italic;">yeah I can't remember what it was I played, i think its only the solo in the middle was n't it?</span><br /><br />This was Adam's danciest song to date, what was your reaction when you heard it?<br /><span style="font-style: italic;">I thought it was pretty good </span><br /><br />There were a few remixes of it too, were you part of those or were they remixed later without anything from you?<br /><span style="font-style: italic;">I don't think I ever heard any of them. </span><br /><br />I am guessing that because Can't Set Rules About Love didn't do much in the charts that is why it wasn't released in the uk, only in the US and Germany?<br />Do you have any info on that?<br /><span style="font-style: italic;">No idea, i was out of the loop on this one. </span><br /><br />I admit I can't think of anything else to ask about this one!<br /><span style="font-style: italic;">I can't think of what to say about it.</span><br /><br />Good video, the remixes are better than the album version.....<br /><br />And that's about it for Rough Stuff. I've never liked the album version, always preferred the remix that accompanies the video.<br /><br />Only a few singles left to go!<br /><br />Here anyway are the videos to Can't Set Rules About Love and Rough Stuff.<br /><br />Until next time!<br /><br /><object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/5MoUvpvYFMY&hl=en&fs=1"></param><param name="allowFullScreen" value="true"></param><param name="allowscriptaccess" value="always"></param><embed src="http://www.youtube.com/v/5MoUvpvYFMY&hl=en&fs=1" type="application/x-shockwave-flash" allowscriptaccess="always" allowfullscreen="true" width="425" height="344"></embed></object><br /><br /><div><object width="512" height="322"><param name="movie" value="http://d.yimg.com/static.video.yahoo.com/yep/YV_YEP.swf?ver=2.2.40" /><param name="allowFullScreen" value="true" /><param name="AllowScriptAccess" VALUE="always" /><param name="bgcolor" value="#000000" /><param name="flashVars" value="id=v2166662&vid=2036759&lang=en-us&intl=us&thumbUrl=http%3A//d.yimg.com/ec/image/v1/video/2166662%3Bsize%3D385x231&embed=1" /><embed src="http://d.yimg.com/static.video.yahoo.com/yep/YV_YEP.swf?ver=2.2.40" type="application/x-shockwave-flash" width="512" height="322" allowFullScreen="true" AllowScriptAccess="always" bgcolor="#000000" flashVars="id=v2166662&vid=2036759&lang=en-us&intl=us&thumbUrl=http%3A//d.yimg.com/ec/image/v1/video/2166662%3Bsize%3D385x231&embed=1" ></embed></object><br /><a href="http://video.yahoo.com/watch/2036759/v2166662">Rough Stuff</a> @ <a href="http://video.yahoo.com" >Yahoo! Video</a></div><br /><br /><object width="460" height="390"><param name="movie" value="http://media.imeem.com/pl/rEsj972oir/aus=false/pv=2/"></param><param name="allowFullScreen" value="true"></param><embed src="http://media.imeem.com/pl/rEsj972oir/aus=false/pv=2/" type="application/x-shockwave-flash" width="460" height="390" allowFullScreen="true"></embed></object>Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-30296133837923450312009-03-18T03:33:00.004+00:002009-03-24T00:47:56.075+00:00Marco on Can't Set Rules About Love<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://1.bp.blogspot.com/_wxWsyEy6GVc/Scgri0Ur5RI/AAAAAAAAAaw/ZhVN5NbIglQ/s1600-h/csral.jpg"><img style="margin: 0pt 10px 10px 0pt; float: left; cursor: pointer; width: 227px; height: 237px;" src="http://1.bp.blogspot.com/_wxWsyEy6GVc/Scgri0Ur5RI/AAAAAAAAAaw/ZhVN5NbIglQ/s320/csral.jpg" alt="" id="BLOGGER_PHOTO_ID_5316547237271823634" border="0" /></a>I asked Marco a few questions about this single in our nearly finished series on the Ant singles.<br />Marco is in <span style="font-style: italic;">italics</span>.<br /><br />Can't Set Rules About Love- How was this written and when?<br /><span style="font-style: italic;">Written at the Wall Studios in the same batch as the rock and roll Manners and Physique, Young Dumb And Full Of It, Anger Inc. and others.</span><br /><br />What influenced the music?<br /><span style="font-style: italic;">It was sort influenced by the music from Mishima by Phillip Glass which has since been used in the Truman show, it wasn't ripped off as it isn't really like it but it was in the back of our minds.</span><br /><br />You've said that you didn't think that the b sides (How To Steal The World and Brand New Torso) were good enough for the album- what did they lack in yours and Adam's eyes? What was wrong with them that they were left off?<br /><span style="font-style: italic;">Hard to say, just didn't grab us in same way, they weren't instant enough</span>.<br /><br />Would you have done a tour for Manners and Physique if Adam had have wanted to do one?<br /><span style="font-style: italic;">I was already on the road with Sinead (O'Connor) at the time, I certainly wouldn't have wanted to come off one tour and straight into another one.</span><br /><br />You played Room at the Top and Young Dumb and Full of it in 1993, do you think they sounded better with a full band?<br /><span style="font-style: italic;">Not really, i prefer the recorded versions, I always do, I am not one of these "its better live' bores, as you well know.</span><br /><br />Would the whole album have been played like that if you'd have toured it?<br /><span style="font-style: italic;">Probably not, we would have got a keyboard player to recreate the synth parts</span><br /><br />As an album, how do you rate Manners now?<br /><span style="font-style: italic;">I do like some of the Ant/Marco songs, some of the production has dated but that's unavoidable with any album.</span><br /><br />Do you think it gets the credit it deserves?<br /><span style="font-style: italic;">No probably not</span>.<br /><br />Was it the right time for Adam to 'go dance'?<br /><span style="font-style: italic;">There is never a right or wrong time to do things, depends on your mood and what it is you feel like doing.</span><br /><br />Finally what's your favourite song from Manners and why?<br /><span style="font-style: italic;">Rules about love coz i like the melancholy feel of it.</span>Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com1tag:blogger.com,1999:blog-17310534.post-76950930550974989222009-01-17T18:11:00.002+00:002009-01-17T18:16:02.128+00:00Change in direction again?I'm thinking of changing direction with this blog again and making it a Marco Pirroni related one....<br /><br />Am uploading a VERY rare unavailable anywhere Rema Rema track called International Scale.<br />Thanks to Gary Asquith who has been ripping old unreleased Rema Rema tracks from tapes to his PC. More to come hopefully!<br /><br />Check out the <a href="http://www.facebook.com/home.php#/pages/Wolfmen/43270952275?ref=nf">Facebook Wolfmen Page</a> I created for Wolfmen news and <a href="http://thewolfmen.blogspot.com/">Dave's blog</a> for Wolfmen exclusives!Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0tag:blogger.com,1999:blog-17310534.post-18682063053675114232009-01-07T01:10:00.001+00:002009-01-07T01:15:18.272+00:00New Wolfmen Blog imminent<a href="http://thewolfmen.blogspot.com/">http://thewolfmen.blogspot.com/</a><br /><br />Coming next monday (12th).<br /><br />Run by "Dave", it promises "There'll be loads of exclusive news, early listens to new tunes, archive and unreleased rarities, insider information on what's happening in the world of The Wolfmen and a chance to interact directly with the band..."Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com1tag:blogger.com,1999:blog-17310534.post-3284152329240979872008-12-06T21:43:00.001+00:002008-12-06T21:48:00.762+00:00Wolfmen UpdateThe Wolfmen have been holed-up in Raezor Studios for the last three weeks. Here's the latest from their email news update:<br /><br />First up, we've been collaborating with a Utrecht-based Tibetan opera singer called <a href="http://rs6.net/tn.jsp?e=001k4pmDWkDj8i29qQ57dvxh4NgbzNVAwUI50tk-3UcdyDUTXEgiooZgyHS3bVxrBtQpOSxxm8_4sGGD6E5Dv_C5s_RJgj_Oeeptrni9je2IX5zZYCd9b1Am3C9ZCNYyTwI7gozB2w8DLA=">Namgyal Lhamo</a>. A star performer from the Dalai Lama's <a href="http://rs6.net/tn.jsp?e=001k4pmDWkDj8h8MivSmmWZXRdGEreVGvNoW-8yyvXPYsMw76pOntOoIjElxqyej4CYfBwCTnd24mDupBWreBlqfBDMFXuo7BVlzrEDfjghQul5IO4ogsYWlBxi9FitVf9sc8-6lB9x0N3HWFQFUd6UL8cufFLiGx-a040XSCEdzmw=">Tibetan Institute of Performing Arts</a>, she's toured the world with the likes of Bjork and the Beastie Boys. The first fruits of our collaboration - <a href="http://rs6.net/tn.jsp?e=001k4pmDWkDj8gaZXoDqe8LMFV1Pv_PYIy9AdJj51pFwuQ6asuiXjLFs533I-A5wyT9qoKzOPqsf_iHIUGRk17MunnLUl1ioJvBB2Zj4sLBZ1MDsDWmPrQIT94WD0JfUz6ogrimZ8Q7SY0=">Chang Yare (Paradise Lost)</a> - are available to watch and listen to on our <a href="http://rs6.net/tn.jsp?e=001k4pmDWkDj8gU09WBPQzMLddUs3THgHPCv6kd9tJZWhNz_N3Fwoeta9VwoSLB8vPTAyi9QL1WqxUhtFwlhpiuYiHP3J-Wsnc7BncvhKK7-vG_7zoc54_KHs5dB4cRcwV2_2Nl_zxBuYg=">YouTube</a> channel. Namgyal has also just received a Best World Music Act nomination. More details <a href="http://rs6.net/tn.jsp?e=001k4pmDWkDj8iXYfhyFqrhQOnkubRvQGr1rgbl8W84MIC8AgsozrIxtfDYP_rKqda8gKFttpHZInnKCMVuMqSuHsxdY2WK6oc0cmcpSLTXI61gwt8zwlbxtQ==">here</a>.<br /><br />We've also been working on a brand new single, which will be out in February 2009, and our second album - Married To The Eiffel Tower - which will follow in May.<br /><br />Also in plan for the first half of 2009 are a string of live dates, at least two further singles, localised releases of the <a href="http://rs6.net/tn.jsp?e=001k4pmDWkDj8gVejvC2GdSB9f53blx9nMCEJAgNo87CUVfNajS8Pd69_mBnw93IaPCn2BbjaMtGqeZ3z0dmR52UG4fbGp4KumAKakhNSFu6lfxLSdVlEYuzw==">Modernity Killed Every Night</a> album (starting with South America on Universal Records in March), and the long-awaited Daler Mehndi collab album, Thieves & Liars.<br /><br />P.S. For Wolfmen collectors and shoppers - by popular demand we've added a new Everything Pack(TM!) at to <a href="http://rs6.net/tn.jsp?e=001k4pmDWkDj8gVejvC2GdSB9f53blx9nMCEJAgNo87CUVfNajS8Pd69_mBnw93IaPCn2BbjaMtGqeZ3z0dmR52UG4fbGp4KumAKakhNSFu6lfxLSdVlEYuzw==">www.thewolfmen.net/shop</a> - a bumper 4xCD, 2xDVD, 2-T-shirt, 3xVinyl, £25-saving package! We should also confirm that the limited edition free hidden download on <a href="http://rs6.net/tn.jsp?e=001k4pmDWkDj8gWqBjslFXL69qKY5TngxgUpoqIBTrJZUmEY1RVAykX7Gx4IptdpBZV7QCW23owgCdgpBMAQdWwUYUbIoEFmRiLv7QBSVu39v9ezRQ7MheQrg==">www.thewolfmen.net</a> has been removed now. But we'll be back with another one soon.<br /><br />Excellent news that they're working on another album so soon after this one!Stevehttp://www.blogger.com/profile/14150300883816444304noreply@blogger.com0